2/15/2024 0 Comments Sandra model rare sets“Like the responsibility for our own stuff,” she explains. She also developed a strong sense of discipline. This was where she learned to push her boundaries as an actor within a safe space. Her formal training at Berlin’s eminent Ernst Busch Academy of Dramatic Arts provided her with invaluable skills. Once Hüller tried stage acting, she was hooked. I can only guess that she felt that I loved words and find the right channel to work with. But she told me, ‘This could be something for you.’ I think it was obvious that I loved languages, that I liked poetry. “I never had the plan of becoming an actor. We didn’t have a theater in our town, just a small cinema,” Hüller recalls. The first person to recognize the actor’s gift was her drama teacher at the high school she attended in the small town of Friedrichroda. It’s so intimate, how you get to these places.”Īs personal as her process is, Hüller’s endless capacity to plumb the depths of the human psyche has always been evident. It is something that I watch over and over again.”Īfter a pause, she adds, “Now I said it. I said to Justine, ‘I think it’s this.’ I used this example because I love that scene so much. “I the scene from ‘The Hours’ where Meryl Streep is breaking down in the kitchen. There are all sorts of nervous breakdowns.” That brings Hüller to the other piece of art that inspired her performance in the sequence. I had to find something be fragile and vulnerable.” That ended up being a song by American indie folk band Bon Iver. “But at that point, it had to be there in the car. “Normally, you talk to your partner, and through the things you experience together, the emotion comes or doesn’t come,” she explains. To reach the level of emotional transparency the sequence demanded, Hüller turned to music for inspiration. One scene that was particularly tough for the actor to navigate takes place inside a car, where a drained Sandra breaks down in front of her attorney. Hüller builds a towering performance as Sandra pleads innocent throughout the taxing courtroom proceedings. Did she do it? That’s up to the viewer to decide. The investigation surrounding his demise gradually reveals the truth of the couple’s imperfect marriage-and turns Sandra into a murder suspect. That all changes when her husband, fellow scribe Samuel Maleski (Samuel Theis), falls to his death under mysterious circumstances. In “Anatomy of a Fall,” Hüller plays Sandra Voyter, a German writer leading a quiet life in the French Alps with her family. Over the course of our hourlong conversation, Hüller reflects on her stunning year headlining two titles that won big at the Cannes Film Festival: Justine Triet’s searing legal thriller “Anatomy of a Fall,” which took the Palme d’Or, and Jonathan Glazer’s unnerving Holocaust drama “The Zone of Interest,” which earned the Grand Prix. The actor found international fame after her leading turn in Maren Ade’s brilliant 2016 comedy “Toni Erdmann.” But she’s been a staple of the German stage and screen for decades, with multiple awards Sometimes, I like to go to the museum to look for inspiration, but it’s not set.” “I sit with the character subconsciously from the moment that I decide I want to be a part of ,” the German actor says. And like falling in love, there’s no proven method it’s something that just happens. It’s an internal practice, and a fiercely private one, too. This is how Sandra Hüller describes acting-or rather, how she approaches her characters. “It’s like when you’re falling in love with someone: You think about them all the time.”
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